The Discreet Bourgeois

Possessed by an urgency to make sure all this stuff I love doesn't just disappear


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The Last Ten Films I’ve Seen

  1. Bend Of The River (Anthony Mann)
  2. The Far Country (Anthony Mann)
  3. The Wizard of Lies (Barry Levinson)
  4. Strangers on a Train (Alfred Hitchcock)
  5. David and Lisa (Frank Perry)
  6. The Marrying Kind (George Cukor)
  7. The Shop Around The Corner (Ernst Lubitsch)
  8. Record of a Tenant Gentleman (Yasujiro Ozu)
  9. Julieta (Pedro Almodóvar)
  10. Miss Peregrine’s School for Peculiar Children (Tim Burton)

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1- I am a great devotee of the Westerns of John Ford, as every think person should be.  Lately I have discovered his runner-up.  The Western of Anthony Mann are as morally interesting as the best of Ford.   His use of James Stewart is as satisfying and varied as Ford’s use of John Wayne.

2- I remember David and Lisa from my childhood days watching The Million Dollar Movie on WOR in New York.  That show would screen the same movie every night for a week, allowing nerds like me practically to memorize films that intrigued me.  I haven’t seen this film in over 40 years, but that repeated viewing helped me to remember it well.  What I remembered most was my feeling as a kid that this was an ‘adult’ movie. Not a risque movie, but a movie for which you would need an adult sensibility to properly appreciate.  I was wondering what passes for ‘adult’ now.  I couldn’t think of many examples.

3- I guess that Pedro Almodovar is the greatest genius making films today.  Julieta is so emotionally powerful, so cinematically interesting, so engaging.  I need to read the Alice Munro stories it is based on to see how he put his own mark on the work

4- Guilty Pleasure: the films of Tim Burton.  There is a great sweetness behind the jocular creepiness that really appeals to me. Miss Peregrine’s School for Peculiar Children I found delightful.  I could have done without the extended CGI battle scene at the end, but I concede that such scenes are de rigeur nowadays.

5- I had always thought of Strangers On A Train as way up there in the Hitchcock pantheon.  But this time around, I was aware of how he kind of lost his grip on the whole project towards the end.  Don’t get me wrong. It is still amazingly good. Just not The Birds

6- I had heard that Record of a Tenant Gentleman was minor Ozu.  Bosh.  It is as subtle and affecting as anything in his oeuvre.

 

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